The key takeaway is clear:
<ul> <li>✓ Understand that every stream generates both a Master Recording Royalty and a Publishing Royalty.</li> <li>✓ Your distributor (e.g., DistroKid) primarily collects only the Master Recording Royalty.</li> <li>✓ You are leaving significant money on the table if you are not registered with a Performing Rights Organization (PRO) and a Publishing Administrator.</li> <li>✓ Prioritize closing this royalty gap by setting up the necessary registrations (covered in upcoming modules).</li> </ul> By doing so, you ensure you collect 100% of the money your music is rightfully earning, transforming potential lost income into a foundational component of your Creator Enterprise's financial health.Step 10 of 10 in this module#20 of 1,000
10. Your Actionable Royalty Gap Strategy
Part 1 • Two Distinct Royalties Generated by Every Stream (The Gap)
See a way to improve this point?
Community Driven
Help us keep this 1,000-point curriculum sharp for all creators. Suggest a wording tweak, report a changed tool, or share your thoughts.
Loading user progress & flight station...
In this module: Two Distinct Royalties Generated by Every Stream (The Gap)10 steps
- 1The Dual Copyright: Master Recording vs. Composition
- 2Royalty Type 1: The Master Recording Royalty
- 3Royalty Type 2: The Publishing Royalty (The Gap)
- 4Why DistroKid (and Similar) Don't Collect Publishing Royalties
- 5The Financial Impact of the Royalty Gap
- 6Who Pays What: A Simplified View
- 7The Analogy: A Two-Part Check
- 8The Role of PROs and Publishing Administrators
- 9The Importance of Songwriter Registration
- 10Your Actionable Royalty Gap Strategy
Tip: press ← and → to move between steps.
