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4. Why DistroKid (and Similar) Don't Collect Publishing Royalties

Part 1 • Two Distinct Royalties Generated by Every Stream (The Gap)

DistroKid's core service is master recording distribution. They simplify the process of getting your audio files onto streaming platforms. Collecting publishing royalties is a separate, complex, and specialized field that involves registering your songs with performing rights organizations (PROs) and mechanical rights organizations. While DistroKid offers optional publishing administration services (often for an additional fee and commission), their default service does not include it. If you rely solely on your distributor, you are leaving publishing money on the table.

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In this module: Two Distinct Royalties Generated by Every Stream (The Gap)10 steps
  1. 1The Dual Copyright: Master Recording vs. Composition
  2. 2Royalty Type 1: The Master Recording Royalty
  3. 3Royalty Type 2: The Publishing Royalty (The Gap)
  4. 4Why DistroKid (and Similar) Don't Collect Publishing Royalties
  5. 5The Financial Impact of the Royalty Gap
  6. 6Who Pays What: A Simplified View
  7. 7The Analogy: A Two-Part Check
  8. 8The Role of PROs and Publishing Administrators
  9. 9The Importance of Songwriter Registration
  10. 10Your Actionable Royalty Gap Strategy