This is the key differentiator for Sync Royalties. They are not collected by PROs or mechanical licensing collectives. Instead, Sync Royalties are generated through direct negotiation between the copyright holders (or their representatives) and the entity seeking to use the music (e.g., a film production company, an ad agency). This negotiation results in an upfront, one-time licensing fee. This fee can range from a few hundred dollars for a small indie film to hundreds of thousands or even millions for a major motion picture or national commercial campaign.
Step 3 of 10 in this module#73 of 1,000
3. Why Sync is Different: Direct Negotiation and Upfront Fee
Part 1 • Synchronization (Sync) Royalty Defined
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In this module: Synchronization (Sync) Royalty Defined10 steps
- 1Defining Synchronization: Music to Picture
- 2The Dual Nature of a Sync License: Composition and Master
- 3Why Sync is Different: Direct Negotiation and Upfront Fee
- 4Strategic Value: High-Value, Decoupled Revenue
- 5The Role of Music Supervisors and Sync Agencies
- 6What Music Supervisors Look For
- 7The Impact of a Sync Placement: Beyond the Money
- 8Building Your "Sync-Friendly" Catalog
- 9The "Metadata" of Sync: Searchability
- 10Your Actionable Sync Royalty Strategy
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